![]() ![]() ![]() is deranged, Sister remarks, “Stella-Rondo hadn’t done a thing but turn against me from upstairs while I stood there helpless over the hot stove” (63). And later, when Sister’s mother orders her to apologize for wondering if Shirley-T. She believes that Stella-Rondo unfairly considers her cruel for claiming that Shirley-T. in the state of Mississippi” (58).Īs Sister recounts the day’s events, she attempts to demonstrate that Stella-Rondo turns the others against her. seems considerably larger than Sister’s, which was “next to the smallest P. I like to do it because it’s hard, I guess. You can use it to do all kinds of things. I love to write dialogue but it’s very hard to prune it and make it sharp and make it advance the plot and reveal the characters-both characters-the one listening and the one talking. I don’t know why I wrote them except to show how people talked. ![]() In a collection of interviews titled Mississippi Writers Talking, John Griffin Jones asks Welty whether she was in a different frame of mind-a “Southern” frame of mind-as she created humor in stories like “Why I Live at the P. O.” with close readings of lexical, grammatical, and sociolinguistic features found in this story, we can identify patterns that clearly place the text in the American South and also strongly suggest Welty’s opinions of her speakers. Welty has been praised by readers as well as by language experts for her ability to capture the Southern idiom, yet her talent for capturing language is so universally praised that critics often take it for granted, assuming that readers can identify her works’ Southern features readily. Having lived and worked in Mississippi for most of her life, Eudora Welty is recognized worldwide as a Southern writer primarily from her rich use of sensory detail expressed in the vivid, colorful language of her characters. ![]()
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